14,246 Royalty-Free Audio Tracks for "V Of V V I Progressions"

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Harmonic progression from a Mozart piano sonata--sound file. Piano Sonata in G, K. 283, third movement, starting measure 247. Digital recording by Opus33 using Wavesurfer software. Transcription into chords by Opus33, loosely following Piston and DeVoto, Harmony. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
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Chord rewrite rules I: replacement or substitution of a chord by its dominant or subdominant.
Author: User:Hyacinth
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Chord progression by descending thirds from mediant to supertonic resolving to dominant.
Author: Created by Hyacinth (talk) 20:27, 22 December 2010 using Sibelius 5.
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Montgomery-Ward bridge in C (I7-IV7-ii7-V7). Created by Hyacinth (talk) 06:58, 11 June 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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tonale Quartfallsequenz
Author: Balliballi
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Audio sample which exemplifies Andalusian cadences, as shown in the article (see the picture below the Structure section). Recorded using an emulated acoustic Steinway piano through the Sound Font 2 technology, on August 9th, 2007 and released into public domain in the same day.
Author: User:Impy4ever
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reale Quintfallsequenz
Author: Balliballi Kawai E-Piano CS9
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tonale Quintfallsequenz mit Dreiklängen und Sextakkorden im Wechsel
Author: Balliballi Kawai E-Piano CS9
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reale Quartfallsequenz
Author: Balliballi
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Diatonic mediant/submediant chord progression: i VI i (submediant, in minor).
Author: Hyacinth
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Diatonic mediant/submediant chord progression: I vi I (submediant, in major).
Author: Hyacinth
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Diatonic mediant/submediant chord progression: I iii I (mediant, in major).
Author: Hyacinth
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Tritone substitution (for V), without (with V). Created by Hyacinth (talk) 04:48, 10 May 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Bergamesca ('The Buffens'), Straloch MS., c. 1600.
Author: This file is lacking author information.
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Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo
Author: Hyacinth
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Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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viio7 as dominant substitute.
Author: Created by Hyacinth (talk) using Sibelius 5.
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Chord progression with a borrowed chord second to last: iv or Fm in C major.
Author: Hyacinth
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Tritone substitution. ii7-Vb7/V-IM7 instead of ii7-V7-IM7.
Author: Hyacinth
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Quartal chords descending by semitone. Created by Hyacinth (talk) 21:48, 2 February 2012 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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ii7-V7-IM7, for comparison with a tritone substitution (ii7-Vb7/V-IM7).
Author: Hyacinth
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♯IIo7 as dominant substitute.
Author: Created by Hyacinth (talk) 21:46, 14 July 2010 using Sibelius 5.
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I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.
Author: User:Hyacinth
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Phrygian Andalusian cadence.
Author: Created by Hyacinth (talk) 23:24, 18 April 2010 using Sibelius 5.
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Borrowed chord common in rock music: I ♭VI IV. In C: C A♭ F.
Author: Hyacinth
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Chord progression with a borrowed chord second: v or Gm in C major.
Author: Hyacinth
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Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Altered dominant played twice then resolved to the tonic. Created using Sibelius and Audacity.
Author: Hyacinth at English Wikipedia
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Music based on notes at da:Drømte mig en drøm i nat Musik baseret på noder fra da:Drømte mig en drøm i nat
Author: Penguin
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Parrallelism in music (example).
Author: Hyacinth
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Veni, Vidi, Vici (1896), a march by Robert Browne Hall. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
Author: Robert Browne Hall (Composer, 1858–1907) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham – Greeley, CO Manager: Chief Master Sergeant James H. Moseley II – Beaumont, TX PICCOLO MSgt Ardyth Scott – Shreveport, LA FLUTE MSgt Lawrence Ink* – Rockville, MD MSgt Lucille Johnston Snell – Albuquerque, NM TSgt Sharon Weinberg – Philadelphia, PA OBOE MSgt Ronald Erler* – Falls Church, VA CMSgt Robin Forrester-Meadows – Evansville, IN ENGLISH HORN CMSgt James Moseley II – Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried – Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* – Simi Valley, CA TSgt George Stoffan – Norwalk, CT MSgt Carl Long – Hanover, NH MSgt Elizabeth Campeau – Pinckney, MI MSgt Sandra Haton* – Columbia, SC TSgt Richard Drew – Joliet, IL TSgt Brian Jones – Panama City, FL MSgt Kay Schultz – Skaneateles, NY MSgt Lorraine Haddad* – Poughkeepsie, NY TSgt Shawn Buck – Brookside, PA SMSgt Robert Little – Houston, TX BASS CLARINET TSgt David Aspinwall – Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy – Virginia Beach, VA BASSOON CMSgt Danny Phipps* – Annapolis, MD TSgt Lawrence Burke – Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* – Ellisville, MS MSgt William Marr – Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely – Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George – Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* – Dallas, TX TSgt Leslie Mincer – Charlottesville, VA TSgt Kent Wyatt – Arlington, TX TSgt Philip Krzywicki – Philadelphia, PA CORNET TSgt Andrew Wilson* – Gambier, OH SMSgt David Golden – Bethlehem, PA TSgt Michael Bosch – Bethlehem, PA MSgt William Adcock – San Jose, CA TSgt Curt Christensen – Mt. Clemens, MI MSgt Clarence Mitchell – Portsmouth, VA TRUMPET TSgt Robert McConnell – Wadsworth, OH MSgt James Bittner – Harrisburg, PA TROMBONE SMSgt Mark Williams* – Okemos, MI MSgt Jeffrey Gaylord – Western Springs, IL MSgt Lindsey Smith – Williamston, MI TSgt James VanZandt – Austin, TX EUPHONIUM MSgt Ann Baldwin* – Canton, OH TSgt Lance LaDuke – Niles, MI TUBA MSgt Jan Duga* – Columbus, OH SMSgt Edward McKee – Roselle, NJ MSgt David Porter – Alcoa, TN TIMPANI MSgt Patrick Shrieves – Freehold, NJ PERCUSSION MSgt Aubrey Adams* – Medford, OK SMSgt Mark Carson – East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison – Louisville, KY * Principal CREDITS Colonel Lowell E. Graham – Commander/Conductor/Producer Major Frank J. Grzych II – Deputy Commander/Producer Captain Scott A. Guidry – Staff Officer/Co-Producer Mr. Bruce Leek – Engineer/Digital Editing Master Sergeant Kendall S. Thomsen – Assistant Engineer Chief Master Sergeant Dana L. Steinhauser – Director of Public Affairs Master Sergeant William D. Porter II – Recording Production Technical Sergeant Robert K. McConnell – Graphic Layout Master Sergeant Elizabeth K. Campeau – Liner Notes Technical Sergeant Sharon B. Weinberg – Booklet Editor Crabtree + Company (Arlington, VA) – Cover Design Mark Custom Recording Service (Clarence, NY) – Disc Replication Lion Recording Services, Inc. (Springield, VA) – Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6–8, 1998 Catalog number: BOL-9807.
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Male v/o two samples as requested by member jhon62.
Author: Splatbot
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The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Rule of the octave, major scale.
Author: Created by Hyacinth (talk) 20:22, 17 November 2010 using Sibelius 5.
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Twelve bar blues in C, block chords.
Author: Created by Hyacinth (talk) 22:10, 8 July 2010 using Sibelius 5
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I-IV-♭VII-IV chord progression. Barre chords on a MIDI acoustic guitar: C-F/C-B♭-F/C.
Author: Hyacinth
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The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Augmented chord progression: I+ vi63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Eight bar blues, guitar chords: I V7 IV7 IV7 V7-IV7 I V7.
Author: User:Hyacinth
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Chromatic descending 5-6 sequence from which "Lay, Lady, Lay" sequence is derived.
Author: User:Hyacinth
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The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Rhodes Mark I verzerrt über Röhrenamp -- Selbst gemachte Aufnahme --Fetz 19:58, 8. Apr 2006 (CEST) Rhodes Mark I with an overdriven tube amp -- own Recording.
Author: The original uploader was Fetz at German Wikipedia.
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The melody of the folk song The Girl I Left Behind Me. Die Melodie des Volksliedes The Girl I Left Behind Me. La mélodie de la chanson populaire The Girl I Left Behind Me.
Author: Nachtbold
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The old English carol I Saw Three Ships (Come Sailing In).
Author: Matt Norris & the Moon
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After You've Gone by Creamer and Layton (1918) verse, mm.7-23. Nashville number system realization on guitar.
Author: Hyacinth
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